Andros Zins-Browne (New York, 1981) works at the intersection of performance and dance. Since 2016, his practice has extended beyond the theater into print, exhibitions, and public space, exploring choreography less as a destination and more as an approach to working from and returning to the body’s socio-political potentials. Recent presentations include: Already Unmade (2016—)at the ICA, London, The Whitney Museum, New York, Rockbund Art Museum, Shanghai, and Fondation Galeries Lafayette, Paris; Atlas Unlimited (2019] at PERFORMA19, New York,Criterion Channel; The Tony Cokes Remixes at 10th Berlin Biennale (2018), Dia Art Foundation (2023); See-Saw at MoMA, New York (2019); Jérôme Bel at e-flux/ KADIST, New York (2020); Asymmetry at The Getty, Los Angeles (2022); color a body who flees at the Hammer Museum, Los Angeles, 2022; The Chaos Opera Workshops at Canal Projects, New York, Centre Pompidou x Jersey City, 2024,and Pioneer Works, 2025. He is a contributor to Dance History(s): Imagination as a Form of Study, published by Dancing Foxes Press.